{"id":2897,"date":"2026-09-25T16:00:23","date_gmt":"2026-09-25T14:00:23","guid":{"rendered":"https:\/\/jmcastellet.bnc.cat\/critic-and-essayist\/"},"modified":"2026-10-21T13:32:30","modified_gmt":"2026-10-21T11:32:30","slug":"critic-and-essayist","status":"publish","type":"page","link":"https:\/\/jmcastellet.bnc.cat\/en\/critic-and-essayist\/","title":{"rendered":"Critic and Essayist"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The critic and the essayist<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

15 min read<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The books<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The anthologies<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Press articles<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Laye<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Destino<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Els Marges<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Serra d\u2019Or<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Papeles de son Armadans<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00cdnsula<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

La Vanguardia<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

(…) I had undergone a certain personal crisis regarding the literary theories set forth in some of my books; that is to say, the literary-critical analysis I had advocated, more or less, from 1960 (<\/span><\/i>Veinte a\u00f1os de poes\u00eda espa\u00f1ola<\/span>) to 1965 (<\/span><\/i>Poesia, realisme, hist\u00f2ria<\/span>) began to feel inadequate and impoverished. In a rather schematic and frivolous manner, I have explained in private conversations that it was two ladies\u2014alas!\u2014who caused me to abandon the dogmatic stance inherent in my formulation of historical realism (not socialist realism, that ill-famed concept I never preached), aided, certainly, by my friendship with Roland Barthes and the reading of his books. Those two ladies, both North American, were Mary McCarthy and Susan Sontag. Since the subject is neither particularly exciting nor urgent, the reader of these lines is spared an explanation that would be more theoretical than anecdotal.<\/span><\/i><\/p>

The fact is that, between 1965 and 1967, I devoted myself more to reading than to writing. In 1968, I published the first study signalling a methodological shift in my critical writings: the prologue to <\/span><\/i>Poesia completa de Salvador Espriu<\/span>, which would pave the way, in 1971, for <\/span><\/i>Iniciaci\u00f3 a la poesia de Salvador Espriu<\/span>, a book that had won the 1970 Taurus Essay Prize.<\/span><\/i> (…)<\/span> That same year, I published <\/span><\/i>Nueve nov\u00edsimos poetas espa\u00f1oles<\/span>, an anthology of Spanish-language poets; it caused quite a stir, but I found compiling it highly entertaining. The previous year, in the wake of the events of May ’68, I had written, in a single go, <\/span><\/i>Lectura de Marcuse<\/span> \u2014published simultaneously in Catalan and Spanish\u2014which became the only significant bestseller among my books. We had also completed and published a poetry anthology in collaboration with Joaquim Molas: the bilingual <\/span><\/i>Ocho siglos de poes\u00eda catalana<\/span>, released in Alianza Editorial\u2019s paperback series.<\/span><\/i><\/p>

Amidst all this, I had been changing; I felt more <\/span><\/i>\u00e0 l’aise<\/span> with the new, intellectually rich currents than with the heavy burden of the \u201crealism\u201d I had helped to establish. That said, I had acquired a certain way of understanding literature from Sartre and Luk\u00e1cs, among others, and I neither can nor ever will disown them. On the latter\u2019s <\/span><\/i>Diari 1910-1911 <\/span>I have just written a few pages intended as a tribute. What I owe Sartre remains to be written, but it is a debt I do not forget.<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

(Mem\u00f2ries confidencials d’un editor, Barcelona: Edicions 62, 2012.)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The books<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\"83-8-17192\"
Notas sobre literatura espa\u00f1ola contempor\u00e1nea<\/em> (1954).<\/figcaption><\/figure><\/div>
\"2005-8-17699\"
La hora del lector<\/em> (1957)<\/figcaption><\/figure><\/div>
\"2018-8-C
La evoluci\u00f3n espiritual de Ernest Hemingway<\/em> (1958)<\/figcaption><\/figure><\/div>
\"2003-8-31476\"
Poesia, realisme, hist\u00f2ria<\/em> (1965)<\/figcaption><\/figure><\/div>
\"2008-8-8409\"
Lectura de Marcuse<\/em> (1969)<\/figcaption><\/figure><\/div>
\"2006-8-27628\"
Iniciaci\u00f3 a la poesia de Salvador Espriu<\/em>. Barcelona, Edicions 62, 1971. <\/figcaption><\/figure><\/div>
\"2005-8-4003\"
Q\u00fcestions de literatura, pol\u00edtica i societat<\/em>. Barcelona, Edicions 62, 1973. <\/figcaption><\/figure><\/div>
\"2014-8-17718\"
Literatura, ideolog\u00eda y pol\u00edtica.<\/em> Barcelona: Anagrama, 1976.<\/figcaption><\/figure><\/div>
\"2008-8-6018\"
Maria Girona, una pintora en llibertat<\/em>, with Ana M. MOIX. Barcelona: Edicions 62, 1977.<\/figcaption><\/figure><\/div>
\"?\"
Josep Pla o la ra\u00f3 narrativa<\/em>. Barcelona: Destino, 1978. <\/figcaption><\/figure><\/div>
\"2019-8-6325\"
Pla<\/em>. Barcelona: Nou Art Thor, 1981. <\/figcaption><\/figure><\/div>
\"2019-8-6839\"
Per un debat sobre la cultura a Catalunya<\/em>. Barcelona: Edicions 62, 1983. <\/figcaption><\/figure><\/div>
\"2006-8-19255\"
La cultura y las culturas.<\/em> Barcelona: Argos Vergara, 1985.<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The anthologies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u201cIn those days, I was seeing Fuster constantly, but it wasn\u2019t until the second night, while we were strolling through the gardens after dinner, that he spoke to me again about the anthology of Spanish poetry. I explained that it was an old idea conceived by the poets from Laye, that is, those who had been publishing poems in the magazine (Goytisolo, Gil de Biedma, Ferran, Costafreda, Barral himself) and who wanted to make themselves known, particularly in Madrid, because despite writing in Spanish, their work struggled to get beyond Barcelona. The idea, of which Barral was proud, was to put together an anthology of postwar poetry that would incorporate poets from the new generation, those from Barcelona, Madrid and the diaspora alike. Fuster fell into a thoughtful silence. Then, suddenly, he revealed the reason for his curiosity: \u2018Could an anthology like that be created today, right now, of postwar Catalan poetry?\u2019\u201d<\/span><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

(Josep M. Castellet, \u00abJoan Fuster. Una conversa i quatre xafarderies\u00bb dins <\/span>Seductors, il\u00b7lustrats i visionaris.<\/span><\/i> Barcelona, Edicions 62, 2009.)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\"2016-8-648\"
Veinte a\u00f1os de poes\u00eda espa\u00f1ola (1939-1959).<\/em> Barcelona: Seix Barral, 1959.<\/figcaption><\/figure><\/div>
\"?\"
Poesia catalana del segle XX<\/em>, with Joaquim MOLAS. Barcelona: Edicions 62, 1963.<\/figcaption><\/figure><\/div>
\"?\"
Un cuarto de siglo de poes\u00eda espa\u00f1ola (1939-1964)<\/em>. Barcelona: Seix Barral, 1965. <\/figcaption><\/figure><\/div>
\"?\"
Ocho siglos de poes\u00eda catalana,<\/em> with Joaquim MOLAS. Madrid: Alianza editorial, 1969.<\/figcaption><\/figure><\/div>
\"?\"
Nueve nov\u00edsimos poetas espa\u00f1oles.<\/em> Barcelona: Barral editores, 1970.<\/figcaption><\/figure><\/div>
\"?\"
Narracions catalanes del segle XX.<\/em> Barcelona, Edicions 62, 1973.<\/figcaption><\/figure><\/div>
\"?\"
Antologia general de la poesia catalana.<\/em> Barcelona, Edicions 62, 1979.<\/figcaption><\/figure><\/div>
\"Generation_von_27__Gedichte\"
Generation von 1927. Gedichte, with Pere GIMFERRER. Various translators. Berlin: Suhrkamp, 1984 <\/figcaption><\/figure><\/div>
\"?\"
Vuit segles de poesia catalana<\/em>, with Joaquim MOLAS. Barcelona: Edicions 62, 2005.<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Press articles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Laye (1950-54)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abPol\u00edtica, s\u00ed. Pol\u00edtica, no\u00bb <\/span>Laye<\/span><\/i>, 1 de marzo, 1959, p.6-7<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/publicaciones\/listar_numeros.do?busq_idPublicacion=2029<\/span><\/a><\/p>

\u00abIntelectual y pol\u00edtico\u00bb, <\/span>Laye<\/span><\/i>, 2, abril 1950, p. 6-7<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600746<\/span><\/a> <\/span><\/p>

\u00ab\u00bfUniversidad formativa?\u00bb, <\/span>Laye<\/span><\/i>, 5, julio-agosto 1950, p. 4.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600749<\/span><\/a><\/p>

\u00abArte para una sociedad asocial\u00bb (I), <\/span>Laye<\/span><\/i>, 7, septiembre 1950, p. 9.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600750<\/span><\/a> <\/span><\/p>

\u00abUn h\u00e9roe de nuestro tiempo: Orestes\u00bb, <\/span>Laye<\/span><\/i>, 8 i 9, octubre-noviembre, 1950, p. 6-7<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/publicaciones\/listar_numeros.do?busq_idPublicacion=2029<\/span><\/a><\/p>

\u00abLas t\u00e9cnicas de la literatura sin autor\u00bb, <\/span>Laye<\/span><\/i>, 12, marzo-abril 1951, p. 39-46.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600754<\/span><\/a> <\/span><\/p>

\u00abSimenon para todos nosotros\u00bb, <\/span>Laye<\/span><\/i>, 16, noviembre-diciembre 1951, p. 58-61. <\/span> <\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600758<\/span><\/a><\/p>

\u00ab<\/span>La colmena. <\/span><\/i>(Notas con estrambote), Laye, 18, marzo-abril 1952, p. 51-58.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600760<\/span><\/a> <\/span><\/p>

\u00abNotas sobre la situaci\u00f3n actual del escritor en Espa\u00f1a\u00bb, <\/span>Laye<\/span><\/i>, 20, agosto-octubre 1952, p. 10-17.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1600762<\/span><\/a><\/p>

\u00abEl tiempo del lector\u00bb,<\/span> Laye<\/span><\/i>, 23, abril-juny, 1953, ps. 39-45.<\/span><\/p>

https:\/\/ddd.uab.cat\/pub\/laye\/laye_a1953m4-6n23.pdf<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Destino<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abJoan Brossa o la cotidianidad hist\u00f3rica\u00bb, <\/span>Destino<\/span><\/i>, n. 1698, abril 1970,<\/span> p. 49<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1339909<\/span><\/a><\/p>

\u00abJosep Pla, retratista\u00bb, <\/span>Destino<\/span><\/i>, n. 1755, mayo 1971, p. 7-9.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1340023<\/span><\/a><\/p>

\u00abJosep Pla, escritor\u00bb, <\/span>Destino<\/span><\/i>, n. 1796, marzo 1972, p. 31-35.<\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1340105<\/span><\/a><\/p>

\u00abNo hay amnist\u00eda para Antonio Machado\u00bb, Destino<\/i>, n. 1975, agost 1975, p. 24-27. <\/span><\/p>

https:\/\/arca.bnc.cat\/arcabib_pro\/ca\/catalogo_imagenes\/grupo.do?path=1340463<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Els Marges<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abSartre i els intel\u00b7lectuals\u00bb, <\/span>Els Marges<\/span><\/i>, 3, 1975, p. 120-124.<\/span><\/p>

https:\/\/raco.cat\/index.php\/Marges\/article\/view\/93643\/156640<\/span><\/a><\/p>

\u00abEl temps i la mem\u00f2ria en l\u2019obra de Josep Pla\u00bb, <\/span>Els Marges,<\/span><\/i> 4, maig de 1975, p. 39-49.<\/span><\/p>

https:\/\/84.88.27.11\/index.php\/Marges\/article\/view\/94604\/156645<\/span><\/a><\/p>

\u00abGiuseppe Ungaretti, en el record\u00bb, <\/span>Els Marges<\/span><\/i>, 30, 1984, p. 3-10.<\/span><\/p>

https:\/\/raco.cat\/index.php\/Marges\/article\/view\/111317\/157775<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Serra d\u2019Or<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abVida i mort d\u2019Antonio Machado als Pa\u00efsos Catalans\u00bb <\/span>Serra d\u2019Or<\/span><\/i>, n. 191, agost 1975, p. 41-43<\/span><\/p>

https:\/\/www.cervantesvirtual.com\/obra\/vida-i-mort-dantonio-machado-als-paisos-catalans-1201298\/<\/span><\/a><\/p>

\u00abLa narrativa de Joan Oliver\u00bb, <\/span>Serra d\u2019Or,<\/span><\/i> n. 121, octubre 1969, ps. 53-54<\/span><\/p>

https:\/\/www.cervantesvirtual.com\/obra-visor\/serra-dor-68\/html\/3da0e108-f5b9-11e1-b1fb-00163ebf5e63_56.html<\/span><\/a> <\/span><\/p>

\u00abPerfil de Josep Pla amb motiu de la seva mort\u00bb, <\/span>Serra d\u2019Or<\/span><\/i>, 262-263, juliol 1981, <\/span> <\/p>

https:\/\/www.cervantesvirtual.com\/obra\/serra-dor-any-xxiii-num-262-263-juliol-agost-1981-972313\/<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Papeles de son Armadans<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

La conciencia de Svevo<\/span><\/i>. <\/span>I<\/span><\/a>, p. 42-51 (abril 1956)<\/span><\/p>

Notas para una iniciaci\u00f3n a la lectura de \u00abEl Jarama\u00bb<\/span><\/i>. <\/span>II<\/span><\/a>, p. 205-217 (maig 1956)<\/span><\/p>

Filolog\u00eda, geograf\u00eda e historia por \u00c1vila, Segovia y sus tierras<\/span><\/i>. <\/span>V<\/span><\/a>, p. 209-224 (agost 1956)<\/span><\/p>

De la objetividad al objeto<\/span><\/i>. (<\/span>A prop\u00f3sito de las novelas de Alain Robbe-Grillet)<\/span><\/i>. <\/span>XV<\/span><\/a>, p. 309 (juny 1957)<\/span><\/p>

En la muerte de Arturo Barea, novelista espa\u00f1ol<\/span><\/i>. <\/span>XXII<\/span><\/a>, p. 101-106 (gener 1958)<\/span><\/p>

Europa, des de Lourmarin<\/span><\/i> (Notas de un congresista ingenuo)<\/span><\/i>. <\/span>XLI<\/span><\/a>, p. 31-42 (agost 1959)<\/span><\/p>

La Comunidad Europea de Escritores<\/span><\/i>. <\/span>LIX<\/span><\/a>, p. 35-44 (febrer 1961)<\/span><\/p>

Situaci\u00f3n de Carles Riba en la poes\u00eda europea<\/span><\/i>. <\/span>LXVIII<\/span><\/a>, p. 145 (novembre 1961) <\/span> <\/p>

La poes\u00eda de Jos\u00e9 Agust\u00edn Goytisolo<\/span><\/i>. <\/span>LXIX<\/span><\/a>, p. 302-335 (desembre 1961)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00cdnsula<\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abNotas sobre la situaci\u00f3n actual del escritor catal\u00e1n\u00bb, <\/span>\u00cdnsula<\/span><\/i>, 95, 1953, p. 10. Posteriorment a <\/span>\u00cdnsula<\/span><\/i>, 499-500, 1988 p. 56.<\/span><\/p>

\u00abPoderse ir tranquilo\u00bb, <\/span>\u00cdnsula<\/span><\/i>, 119, 1955, p. 7.<\/span><\/p>

\u00abLa obra po\u00e9tica de Carles Riba, <\/span>\u00cdnsula<\/span><\/i>, 125, 1957, p.2. <\/span> <\/p>

\u00abEl primer Coloquio Internacional sobre Novela\u00bb, <\/span>\u00cdnsula<\/span><\/i>, 152-153, 1959, p. 19 i 32.<\/span><\/p>

\u00abEntrevista con Ana Mar\u00eda Matute\u00bb, <\/span>\u00cdnsula<\/span><\/i>, 160, , 1960, p. 4.<\/span><\/p>

\u00abEl segundo Coloquio Internacional de Novela en Formentor\u00bb, <\/span>\u00cdnsula<\/span><\/i>, 163, 1960, p. 4.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

La Vanguardia<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00abMemoria de Gabriel Ferrater\u00bb, <\/span>La Vanguardia<\/span><\/i>, 20 de maig de 1972.<\/span><\/p>

https:\/\/hemeroteca.lavanguardia.com\/preview\/1972\/05\/20\/pagina-11\/33600925\/pdf.html<\/span><\/a><\/p>

\u00ab<\/span>Laye<\/span><\/i>, la inolvidable\u00bb, <\/span>La Vanguardia<\/span><\/i>, 30 de desembre de 1988, ps. 33-34<\/span><\/p>

https:\/\/hemeroteca.lavanguardia.com\/preview\/1988\/12\/30\/pagina-33\/33056059\/pdf.html<\/span><\/a><\/p>

https:\/\/hemeroteca.lavanguardia.com\/preview\/1988\/12\/30\/pagina-34\/33056060\/pdf.html<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t